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DPA newsletter issue 1
08-11-2013


With this newsletter, we will send you on a regular basis user stories, technical background articles, and keep you up-to-date of workshops and seminars, promotions, etc.


DPA d:facto II, designing the polar pattern

Firstly, we want to give you some insight in developing the d:facto II handheld microphone, more specifically the polar pattern design.
Pictured below are the theoretical standard cardioid and super cardioid polar patterns.


DPA A cardioid microphone has maximum rejection at 180° off-axis, and a coverage angle of around 130° at the front side. Side rejection at 90° is 6dB compared to the front side. Note the two back lobes at the rear, which are a lot bigger than on a supercardioid.





DPA A supercardioid microphone has maximum rejection at 135° off-axis, and a coverage angle of around 115° at the front side. Side rejection at 90° is -9dB. Note the much higher sensitivity at 180° due to the back lobe, about 12dB down compared to the front.







When designing the DPA d:facto II, the goal was to use the best of both the cardioid and supercardioid patterns, to obtain some kind of ‘optimized’ supercardioid pattern.
The end result looks like this:
DPA


Let’s do a comparison between the DPA 4011 cardioid and the d:facto II (4018V):
DPA


The opening angle at the front side is identical, although you would expect a more narrow angle from a supercardiod. Also the back lobe was greatly reduced compared to a ‘standard’ supercardioid microphone.
DPA


Another best-of-both-worlds result were the back lobes, as pictured here:
DPA

The end-result, our ‘optimized’ supercardioid, has the same opening angle as a cardioid, but better rejection at the rear side, while minimizing the unwanted rear lobe supercardioids typically have.




DPA d:vote touring kits

DPA released these week 4 different touring kits. Each kit consists of 4 or 10 d:vote clip-on instrument microphones, with a variety of clamps to suit every need. All packaged safely in a professional Peli case, the different kits are configured like this:

DPA VOTOUR4 Classic kit : Includes 1x Peli Case KE0002, 4x VO4099HI microphone, 4x 1,6mm cable, 4x DAD6001BC adapter, 4x violin clip, 1x guitar clip, 2x cello clip, 1x bass clip, 1x sax/trumpet clip, 1x universal clip

DPA VOTOUR4 Rock kit : Includes 1x Peli Case KE0002, 4x VO4099LO microphone, 4x 2,26mm cable, 4x DAD6001BC adapter, 4x drum clip, 4x sax/trumpet clip, 2x universal clip

DPA VOTOUR10 Classic kit : Includes 1x Peli Case KE0005, 10x VO4099HI microphone, 10x 1,6mm cable, 10x DAD6001BC adapter, 2x drum clip, 2x sax/trumpet clip, 2x universal clip, 2x piano clip, 3x cello clip, 2x bass clip, 4x guitar clip, 8x violin clip

DPA VOTOUR10 Rock kit : Includes 1x Peli Case KE0005, 10x VO4099LO microphone, 10x 2,2mm cable, 10x DAD6001BC adapter, 7x drum clip, 5x sax/trumpet clip, 4x universal clip, 2x piano clip, 2x cello clip, 1x bass clip, 2x guitar clip, 2x violin clip




DPA - Sony Workshop

Amptec is pleased to invite you to its workshop day on using microphones in a live-situation and digital wireless technologies.

When - Tuesday 19th November 2013
Where - Arenbergschouwburg - Arenbergstraat 28 - 2000 Antwerpen
(Click here for a map)

Programme:
10.00 -11.30: DPA microphones - theory and usage
11.30-12.00: break
12.00-13.00: digital wireless - theory and real-world examples
13.00-14.00: lunch
14.00-16.30: interactive hands-on workshops on live miking and digital wireless on instruments, vocal, etc.

Workshops and theory will be hosted by Amptec product specialists, accompanied by Bo Brinck (DPA microphones) and Markus Warlich (Sony Pro Audio).



http://www.dpamicrophones.com



Contact leentje.loncke@amptec.be to confirm your participation.























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